A man with light brown hair and a beard, wearing a black button-up shirt, is leaning against a beige wall with a green background behind him. He is smiling slightly and has his hands in his pockets.

Kevin Alstede-Henkel

The moments I photograph best are the ones nobody staged. A stolen look across the room. The groom adjusting his cufflinks alone in the corner. The bride laughing with her mum before anyone else is awake.

I came to photography during the pandemic — not as a career move, but because I needed to see the world differently. What started as a curiosity became something I couldn't put down. More than 50 weddings later, I'm still chasing that same feeling: finding the frame that makes a moment last forever.

Alongside weddings, I shoot editorial work, organize shootings in Mallorca, and occasionally convince my wife that one more trip is a reasonable idea. In 2023 we explored the rugged coast of Scotland. Last year we crossed the Gobi Desert on camelback. These travels shape how I see — always looking for light, texture, and the moment just before the moment.

I shoot digital and analog. Some weddings end with a roll of 35mm film that carries a completely different weight. Grain, warmth, and a quality that doesn't come from a preset.

I also have three cats. They did not ask for my opinion on the matter.

Collage of three images: a black and white portrait of a man smiling, a man driving a car with sunglasses reflected in the side mirror, and a sunset over sand dunes.